dc.contributor.authorLiew, Julie Heather Shan Ting
dc.date.accessioned2016-05-09T03:54:01Z
dc.date.available2016-05-09T03:54:01Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10356/66985
dc.description.abstractSeamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative. Production preparations were made to shoot 80% of the film in South Korea, and the remaining 20% to be shot in Singapore required the planning and construction of a prison visitation room set. Despite the obvious challenges, there was great thought and detail put into building the world of Han (2016), and I discuss those processes, decisions and experiences in this essay.en_US
dc.format.extent21 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Humanitiesen_US
dc.titleHan a short film : the emotional impact of production designen_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorBen Alvin Shedden_US
dc.contributor.schoolSchool of Art, Design and Mediaen_US
dc.description.degreeBachelor of Fine Artsen_US
dc.identifier.videostreamVideos-DRNTU/adm_fyp_17/Han.mp4


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