| dc.contributor.author | Le Hoang, Quynh Anh | |
| dc.date.accessioned | 2015-05-13T05:30:38Z | |
| dc.date.available | 2015-05-13T05:30:38Z | |
| dc.date.copyright | 2015 | en_US |
| dc.date.issued | 2015 | |
| dc.identifier.uri | http://hdl.handle.net/10356/63387 | |
| dc.description.abstract | In ‘NURTURE NATURE’, human harmful acts in turn take place. The consequences are indeed severe however ordinary and humorous they appear to our eyes. Representational human-created assets and machines serve as stand-ins for human figure and lead to sequences of unintentional outcomes. Each act is distinctive on its own but clearly not isolated. Together they form a loop of destructive acts - the seemingly inescapable chaos where solution lies within the viewers’ perception. | en_US |
| dc.format.extent | 20 p. | en_US |
| dc.language.iso | en | en_US |
| dc.rights | Nanyang Technological University | |
| dc.subject | DRNTU::Visual arts and music::Animation | en_US |
| dc.title | Nurture nature | en_US |
| dc.type | Final Year Project (FYP) | en_US |
| dc.contributor.supervisor | Hans-Martin Rall (ADM) | en_US |
| dc.contributor.school | School of Art, Design and Media | en_US |
| dc.description.degree | ART, DESIGN and MEDIA | en_US |
