dc.contributor.authorOng, Yi Zhen.
dc.date.accessioned2010-12-13T06:40:05Z
dc.date.available2010-12-13T06:40:05Z
dc.date.copyright2010en_US
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/10356/42455
dc.description.abstractIn Authorship and Film, Janet Staiger said, “authorship is always a way of looking at films” (28). Film is a medium that necessitates the effort of a whole team to produce. The process of singling out an individual to be the author of the film has always been evolving, and there are different ways to identify an author. This analysis will help us better understand the relational factors between authorship and films. Then, I will be examining on how different manifestations of authorship theories can be put into perspective of the Singapore film industry. With that, I argue that Singapore film authors are created through different cultural and social occurrences.en_US
dc.format.extent36 p.en_US
dc.language.isoenen_US
dc.rightsNanyang Technological University
dc.subjectDRNTU::Social sciences::Mass media::Broadcasting::Motion pictures and filmsen_US
dc.titleFilm authorship in Singapore cinema.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorBrian Keith Bergen-Auranden_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeBachelor of Artsen_US


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