dc.contributor.authorSiti Maisurah Rosli.
dc.date.accessioned2008-11-17T00:40:39Z
dc.date.available2008-11-17T00:40:39Z
dc.date.copyright2008en_US
dc.date.issued2008
dc.identifier.urihttp://hdl.handle.net/10356/14497
dc.description.abstractI argue it is the Studio actors who matter most when we consider the lack of representation in the other production departments as well as their ability to work intelligently around the Censorship Code.en_US
dc.format.extent34 p.en_US
dc.language.isoenen_US
dc.subjectDRNTU::Social sciences::Sociology::Family, marriage and women
dc.titleWho matters most in 1930-1934? : the politics of Hollywood women during the pre-production code era.en_US
dc.typeFinal Year Project (FYP)en_US
dc.contributor.supervisorBergen-Aurand, Brian Keith.en_US
dc.contributor.schoolSchool of Humanities and Social Sciencesen_US
dc.description.degreeENGLISHen_US


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